All posts by Aleksei

Cambodia part 3: food

If the Thai food is overall very spicy and is built on variations of curry, the food of Cambodia is a lot less spicy and is rather aromatic and based on varios herbs, souces and seasonings.

The most popular dish is amok – freshwater fish steamed until the consistency of a mousse, with interesting souces. In general freshwater fish is very popular in Cambodia, as the Mekong is the main artery of the country. Another popular dish is lok lak. It is beef cut in cubes and deep fried with lime, onion and salt souce.

Meat is often accompanied by lotus roots, as well as the plant called morning glory, typically served in oyster sauce.

Unusual dishes tried: very spicy quail egg soup with frog legs; fish rye soup; deep fried pig uteruses. Of course, fried tarantulas are very exotic. These are collected out of their burrows in an area about 80 km from Phnom Penh. When caught, their poisonous teeth are immediately removed, and they are shipped around the country.

As everywhere in South East Asia, the ready made food is sold on every streetcorner. Snails next to the Russian market:

Continue reading Cambodia part 3: food

Children’s civilisation

Travelling around Cambodia, I couldn’t help noticing how the locals looked like children. For a European, it is often difficult to gauge the age of an Asian person, as the age markers that we are used to are less pronounced among Asians. But also the behaviour often reminded me of adolescents. The way they would negotiate a price, the way they would pass a little lie, the way they would herd or imitate a European.

In a seminar I once attended, The Seed for Fulfilment, based on process work, the facilitator described Andy Mindell’s view how we are still in our teenage years as a civilisation. In the context of the age of the Earth, we humans only possess a consciousness for several thousand years perhaps, and a way to effectively record it for even shorter time. We are teenagers, underage, maybe even still close to infancy. And therefore collectively we can be extremely cruel, the way small children often are, as they lack deep experience of pain and of extensive self-reflection.

The experience of Cambodia, with its absolute horror of a genocide, fits easily into this narrative. Sometimes it is creepily literal: the majority of its people is young, as the old were at a disproportional risk during the Khmer Rouge years. Children-people, acting with a teenager’s insouciance.

But as a civilisation, we all are children too. The passion with which we deny our obvious crimes. The way our various empires and their heirs deny or justify their atrocities against others and often against themselves: the British, the Belgians, the Russians, the Turks, the Japanese. The way our current world hegemon has a moral blind spot when it comes to its own actions: Barack Obama can be conceivably seen as a mortal hero from the Lord of the Rings, corrupted by the absolute power into authorising drone murders without involving any court of law. That’s only the tip of the iceberg.

Germany is a rare nation that has been forced into adulthood by the tragic realisation of its crime. Perhaps that explains its cautiousness in a crisis, so annoying for the more gung ho partners.

Cambodia part 2: the Khmer Rouge genocide

This post is not for the faint of heart.

I have been to a number of Holocaust sites and museums: Auschwitz, Anna Frank House in Amsterdam, Holocaust Museum in Washington, Jewish Museum and the Memorial to the Murdered Jews in Berlin. These museums leave me with the feeling of deep loss, deep emptiness, as if I crash into a concrete wall, which signifies the impossibilty of quite grasping the abyss of pain. That very feeling of abyss came back to me in this museum, probably the most important in Phnom Penh.

In 1975 the revolutionary troops of Khmer Rouge headed by Pol Pot broke the resistance of Cambodia’s reactionary government and took Phnom Penh. Immediately an order followed: all city dwellers were to leave the cities and proceed to villages all around Cambodia. The initial explanation was the evacuation from the coming American bombings, and it was said to be only for three days. In reality the reasons were of a fundamental nature: Pol Pot’s ideology, inspired by Mao’s cultural revolution, saw only peasants as true participants of the new society. Therefore the rest of the population was to be turned into peasants.

Former city inhabitants were referred to as “new people” and had a lower status in the new villages than the peasants – the “basic people”. The whole country, from former elites, professionals, intellectuals, to peasants, toiled non-stop for 12 hours a day in the rice fields. The slightest protest led to being sent by Angkar for “education”. Angkar, the name of the ruling organ of the communist Cambodia at the time of Khmer Rouge, means simply “organisation”. The very existence of the communist party was kept secret for a long time.

One of the 300 macabre “education” camps created by Angkar can be visited in Phnom Penh. It was called prison S21 and was located in a complex of buildings that formerly served as a school. Today it houses the Genocide Museum of Tuol Sleng:

Continue reading Cambodia part 2: the Khmer Rouge genocide

Cambodia part 1: royal Phnom Penh

Phnom Penh met me with terrible heat, as tropical cities often do. Every time is like that first time, in Bombay – a surprise. All of 38 degrees.

Phnom Penh is a relatively small city compared to other Asian monster-capitals. In its buildup it is strongly reminiscent of Bangkok, also situated on a river bend, also grows around the Royal Palace and the main pagoda, which is called the Silver Pagoda here.

The Silver Pagoda:

Continue reading Cambodia part 1: royal Phnom Penh

Impressions from Cyprus

Cyprus was country nr 26 out of 27 EU countries for me. Only Romania remains (I don’t count a changeover in the Bucharest airport).

1. Nicosia, to be honest, doesn’t have that many tourist attractions. I would say the most important one is the Dragoman’s House. Dragoman Hadjigeorgakis Kornesios was an important official responsible for the interactions between the sultan and the local Greek population. This gave him important opportunities create a fortune, and thanks to the fortune this house was built in Turkish style. It all ended rather sadly for him – as a result of intrigues he was executed in Istanbul. I found it amusing how all the explanatory texts insisted on calling Istanbul Constantinople. Similarly, on the Greek Cypriot-made maps of Cyprus you won’t find any Turkish toponyms.

Dragoman house Nicosia
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Best photo podcasts

I discovered the entire podcasting culture only last year, and was swept off my feet. It has changed the way I access information, in that now at many of those in-beteen moments out there when you wait with nothing else to do, I can actually use my time to listen to something fascinating and useful.

I consistently listen to two photography podcasts, both in English. I came to these by a trial and error process, adding a whole list of various podcasts and then one by one removing those I found tedious or uninformative. These two are similar in that they are both done by independent photographers who’ve got a natural need for publicity due to the way they organise their business. Their main occupation is leading photography tours and so they need to spread awareness of themselves to gain participants.

Martin Bailey is originally English, but for several years already he lives in Japan, speaks fluent Japanese and has acquired Japanese nationality. He specialises in nature photography and leads photo tours, of which the crown jewel is the tour of Hokkaido, or the snow monkeys tour, by the name of the most unusual animal seen on it. Martin tends to do rather lengthy podcasts in which very calmly and in substantial detail he lays out his recent photographic exploits, be it his most recent tour or a selection of best photographs he’s recently made. Despite his obvious expertise, Martin only switched to full-time photography about 2.5 years ago, and he prepared for this switch for a long time. I find his life story fascinating, exactly because of this aspect of masterminding, preparing and then executing this life-reclaiming plan.

The other podcast is the Camera Position podcast by Jeff Curto, an American photographer. This podcast tends to be very short, 8 or 10 minutes an episode. But every episode is a little gem, in that it draws attention to some artwork or some particular aspect of photography in the way that never fails to inspire me. Jeff also organises photo tours, normally in Italy to explore the Italian visual treasures, with the emphasis on culture.

I tried to find some photo podcasts in Russian, but the choice of podcasts in Russian is a lot more limited. I do listen to some non-photo podcasts in Russian, but so far haven’t found any interesting photo ones. Still, I cannot fail to mention the photo blog in Russian that I follow. It is by Dima Chatrov, who is a rather well-known figure in the Russian blogosphere. Again, his main pursuit is leading photo tours to all kinds of exotic destinations. I have taken part in one of his tours in April 2012, around Myanmar, which was a fantastic experience. I will write about this trip one day here. He has this particular sensibility for foreign lands, seeing them as fairytale destinations shrouded in mystery, and this is very much reflected in his photos (and texts). I know that he likes to do a lot of post-production work with his photos, which certainly allows for a great reflection of his artistic vision. I also follow his Photo Planet community blog, where the participants of his tours publish their photos.

A talk in Käru

Last week I was in Estonia. My brother and sister-in-law recently bought a house in Käru, a small place in central Estonia. In this house they propose to found a Museum of Good Deeds. It’s an unusual step for Estonian Russians, to move like that to a place where 100% of population is Estonian and then to suddenly start rejuvenating it with all kinds of creative initiatives. But very much in the character for Aljona and Sergei.

Anyway, suddenly in conjunction with my visit we had an idea that I give a talk to the kids in the Käru high school about my travels around the world. And it actually got done! Posters were printed, time was arranged, and all of a sudden I found myself standing in front of these 34 kids, the school’s entire student population, as well as several teachers, taking them for about two hours to Iceland, India or Cuba. And of course showing the photos. I loved the experience! To be fair, I think the teachers were actually more involved and interested by the stories. The kids, most of them rather small, loved the photos of animals above all – I could hear a collective gasp whenever a monkey or a lemur or a turtle made an appearance!

I feel quite proud about this experience as I spoke in Estonian, language that I don’t practice actively very often. Another clear lesson from this talk was that it was such a joy. I love speaking in public.

Lighting setups

The other day I experimented with some lighting setups for studio photography. I got the impulse from a CD that comes along with the Elinchrom lighting equipment, in my case Elinchrom D-Lite 4.

The CD includes two explanatory videos, where a photographer shows in a very simple way various setups which are possible with the two Elinchrom lights as well as some reflectors. The delivery was very good as the guy suggested precise measurements for F-stops, time values, distances from light sources to subject (literally in centimetres) and settings for the light sources themselves, and then showed the results that come out of each specific setup.

It was fun applying this info in practice and as I went along, I noted some tips for myself while experimenting. In this case I didn’t have a model, so I photographed myself.
Continue reading Lighting setups

Visual Acoustics

Watched Visual Acoustics, a wonderful documentary about Julius Shulman (1910-2009), one of the greatest architectural photographers. Even approaching his 100th birthday, he remained amazingly witty and agile (and opinionated). His most famous photographs are of modernist buildings, which he helped the whole world to discover.

I was particularly interested in the way he systematically used the perspective to draw the viewer in. It was in contrast to other architecture photographers, who would often play on emphasising elements of buildings to create a sense of symmetry or to highlight a detail. Shulman, on the other hand, systematically went for these lines gathering from the edges towards some point in the middle square of the photograph. This gave his photos a strong sense of dimension.

Another fascinating aspect was the meticulousness with which he would construct each scene. He would move each object and item of furniture literally by a couple of inches to create the exact effect he desired.

Now I so want to visit Los Angeles, to see these fairytale buildings in its eternal summer.

Viewfinders

Today I went to the monthly meeting of Viewfinders, the English-speaking photography club of Brussels.

I joined Viewfinders about a year ago. I find the Club’s meetings consistently inspiring and thought-provoking. Usually the meeting is built around a presentation by one or several photographers of their work and experiences. From time to time, the club also organises challenges and assignments, where members can submit their photos which would compete against each other. During the December meeting for example the theme of the challenge was Night Photography. It was quite refreshing to look at different people’s takes on this subject and to see the preferences of the judge and the public.

This time around the main presentation was by Natalie Hill. Natalie is an English photographer who lives and works in Brussels. I found the most interesting part of her presentation to be some images that she made while living and working in China: a sequence about a native Uyghur rocker from the Autonomous Region of Xinjiang, with which I associate particular memories, as well as a striking image of a 22-year wealthy expat enjoying his bath in a flat in a high-rise overlooking Shanghai. Natalie originally studied film and she showed some of her motion work, I particularly liked a very touching ad she made for the Missing Children Europe campaign. The ad is done using Canon 5D Mark II – which again demonstrates the amazing possibilities of this camera.